Pure metal heads may again call me a poser - I'll take you in the pit regardless.This may be Disturbed's best. It has everything I love about the band, and it works excellently. Rhythms change up in each song, building on one another, which is marked departure from simple verse-chorus-verse-bridge-chorus-end structures that classic progressive rock is known for. Each track stands as a message, a work and an effort in its own right. Tracks on "The Sickness" are memorable for vocal dexterity and riff. Tracks on "Believe" are memorable for content and a sharp/flat resonance that almost shakes you on first hearing it. Tracks on "Ten Thousand Fists" you will know by the coalescing of instrument into harmony with a precision that is utterly gripping.Each instrument lends its own voice in its own right but in a way that blends every player together.Draiman's powerful voice is allowed to growl, grunt and sing with emotive and viscous resonance (yes, viscous, not viscious, though that he can be).Donegan's guitar work shines brilliantly here because of and through the layered melodies and the brilliant bass and drum work.Wengren's drumming is simply awesome - the drums are their own character. It stands out as its own persona better than any other album (even than "Indestructible").Moyer, though a newcomer, lends his basswork excellently though he's not prominently heard. Such is the bane of good metal bass-players: the guitar can sound tinny without them, but there isn't much chance to stand out unless you want to be compared with Geddy Lee from Rush.Thematically, "Ten Thousand Fists" is more energetic and may not seem as personal of an album to the band. Much of the lyrical work on "Indestructible", for instance, is deeply personal to Draiman, which gives the album a more intimate feel at times (which doesn't always feel reflected in the underlying melody and harmony). "Ten Thousand Fists" on the other hand is no soul-search. It's pure rock. It's a soundtrack to action itself - and would be incredible live.
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